How is performance research best articulated?
Does live presentation afford the researcher opportunities that are commonly untapped?
How is research a kind of performance?
 
When the first ANZAC Day (25 April 1916) collided with the 300th anniversary of Shakespeare’s death (23 April 1916), a special kind of challenge was issued to the Australian commemorative calendar. To this day productions of Henry V still bear traces of the ways in which the newly federated nation met this challenge. From a newsreel of a ‘Shakespeare in the Schools’ on the steps of the ANZAC memorial in 1955; to the 1995 Bell Shakespeare production featuring ‘diggers’; to the 2014 Bell production which couched its meditation of war politics in the context of the London blitz, Australian treatments of the play map a specifically Australian politics of war remembrance. In this unique event, using moved readings of key speeches from the play, theatre scholars Rob Conkie (La Trobe) and Kate Flaherty (ANU) will perform recent discoveries about the cultural work it has been used to achieve in Australia since 1916.

Rob Conkie is Senior Lecturer in Theatre at La Trobe University. Rob’s teaching and research incorporates practical and theoretical approaches to Shakespeare in performance. He is the author of Writing Performative Shakespeares: New Forms for Performance Criticism (Cambridge University Press, 2016), The Globe Theatre Project: Shakespeare and Authenticity (Edwin Mellen, 2006), and multiple chapters and articles published by university presses and leading scholarly journals. Rob has also directed about a third of the Shakespeare canon, including, most recently, The Merry Wives of Windsor at the New Fortune Theatre, Perth (Feb 16-18 2016) and at fortyfivedownstairs in Melbourne (19 April-1 May, 2016).

Kate Flaherty is a lecturer in English and Drama at the Australian National University. She has first-class honours in English from the University of Sydney, an MA in Theatre Studies from the University of Leeds, UK and a PhD from the University of Sydney. She is the author of Ours As We Play It: Australia Plays Shakespeare (UWA Press, 2011).

Image © Bell Shakespeare.

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