In April 2016 the Chinese government plastered posters of a 16-panel cartoon entitled "Dangerous Love” on subway carts and in Beijing neighborhoods, in order to warn Chinese female government workers that romancing handsome foreigner strangers can result not only in heartbreak for naïve young women, but also in the crime of espionage. It is indeed often the case in many contemporary and past cultural contexts that the foreign/er is associated with the erotic thrill of the exotic for the individual viewer but also bears larger dangers for the collective. Chinese literature, from its inception, has been particularly engaged with representations of the foreign and the strange in this dual role, and many authors, past and present, have chosen to explore the tensions of the arrival of an unknown man or woman through the lens of love, lust, and their aftermath.

Aiming to join this very rich but still much understudied arena, this paper focuses on the recently rediscovered eighteenth century pornographic work Guwang yan 姑妄言, ‘Preposterous Words’, as a primary example of the ways in which strangers enter the circuit of narratives of sex, love, and mating. Using the theoretical and analytical tools of gender studies, literary and critical theory, we shall uncover how characters perform, embody, challenge, and shed the identity as strangers throughout the course of this protean and surreal novel.

Paola Zamperini is a Professor of Pre-modern Chinese Literature and Gender and Sexuality Studies at Northwestern University.